„the title of the performance moving monuments has a double meaning: it refers to the influence of these works of art on their recipients, which can be both positive and negative. feelings that are evoked by means of mechanisms and were consciously created in the works of art. with the help of their bodies, five contemporary dancers explored the two plaster casts in instant compositions through movement sequences arising from mirroring, repetition or changes of perspective in order to develop possibilities of breaking out of and undercutting these mechanisms. in constantly changing constellations, the sculptures are choreographically aligned by the performers in relation to the space, whereby they interact with the visitors in ever new ways. the mobility of the sculptures is meant as a proposal to allow new perspectives on the handling of historical artefacts and monuments and to point out common modes of representation of political and educational relations.“